One of the distinct and, thankfully, long-lasting pleasures, not to say sources of pride, in my writing life has been being published in France by François Guérif in Rivages/Noir, the collection that he founded and continues to direct for Éditions Payot & Rivages, and which includes such writers as James Lee Burke, Robin Cook, James Elroy, David Goodis, George V. Higgins, Tony Hillerman, Bill James, Elmore Leonard, William McIlvanney, Ross Thomas, Jim Thompson, Donald Westlake and Daniel Woodrell. Who would not be proud to be a part of such a list?
Beginning with Lonely Hearts [Coeurs Solitaires] in 1993, François has accorded me the honour of publishing all of my crime fiction written since that time in the Rivages/Noir series – looking at my shelves, some 22 books in all – in addition to the short story, Billie’s Blues, which was published as a slim volume in 2002.
Written expressly for François and Rivages/Noir, and published originally in a French translation by Jean-Paul Gratias, Billie’s Blues is a Resnick story which opens with the discovery of a body on the Forest, the broad area of inner city parkland which hosts the annual Goose Fair. This is how it begins …
Angels, that was what he thought. The way she lay on her back, arms spread wide, as if making angels in the snow. The front of her coat tugged aside, feet bare, the centre of her dress stained dark, fingers curled. A few listless flakes settled momentarily on her face and hair. Porcelain skin. In those temperatures she could have been dead for hours or days. The pathologist would know.
Straightening, Resnick glanced at his watch. Three forty-five. Little over half an hour since the call had come through. Soon there would be arc lights, a generator, yellow tape, officers in coveralls searching the ground on hands and knees. As Anil Khan, crouching, shot off the first of many Polaroids, Resnick stepped aside. The broad expanse of the Forest rose behind them, broken by a ragged line of trees. The city’s orange glow.
Billie’s Blues can be found in two Arrow paperbacks, Now’s The Time and A Darker Shade of Blue, as well as, if you’re fortunate to find a copy, Minor Key, a limited edition hardback from Nottingham’s Five Leaves Publications.
The twelfth and final Resnick novel, Darkness, Darkness, partly set during the Miners’ Strike of 1984/5, was first published in France as Ténèbres, Ténèbres in a large format paperback in the Rivage/Thriller series in 2015, and is now being republished in the smaller Rivages/Noir format.
“Ténèbres, Ténèbres est de bout en bout passionnant, émouvant et réaliste.”
Bernard Poirette, RTL