Brilliant Corners, a journal, as it says, of jazz and literature, is published by Lycoming College, Williamsport, PA 17701, USA, and edited by Sascha Feinstein. Poetry, prose, in-depth interviews.
The current issue includes poems by Billy Collins and Barry Wallenstein (whose gig at the Vortex with the Mike Hobart Band is still a vivid memory) and a lengthy – 20 pages – interview Sascha Feinstein conducted with me here in London last October.
Starting with my early experiences of listening to jazz and the heady days in which I played tea chest bass in what might just have been the world’s worst skiffle band, Sascha goes on to explore the connections between Resnick and jazz, both as a character trait and as an influence on the books themselves. There’s some discussion about the fairly frequent occurrence of jazz in my short fiction – stories like Now’s the Time and Minor Key – and the importance of jazz in the work of other writers such as Bill Moody and Michael Connelly.
Around the time of the interview, I’d just come back from a short tour of Nottinghamshire Libraries, reading some of my more jazz-based poetry, plus a Resnick extract or two, with the band, Blue Territory, so, inevitably, we talked about Poetry and Jazz, its beginnings, and why it can be so rewarding to perform. (See Wallenstein & Hobart above.)
For any students out there searching for a research topic in the area of jazz and crime fiction, this interview, taken together with Age Hedley Peterson’s Jazz i crime literature – Resnick and all that jazz, published in the April/May/June 2016 issue of the Danish magazine Jazz Special, and reprinted in translation here, would be a pretty good place to start.