Midsummer iPod Shuffle

Good As I Been To You

1. Sitting on Top of the World : Bob Dylan
from Good As I Been To You

2. Train : Mose Allison
from Back Country Suite

3. Lungs : Shelby Lynne & Allison Moorer
from Not Dark Yet

Not Dark Yet

4. Spike Driver Blues : Mississippi John Hurt

5. Tonight’s the Night : Neil Young

6. C Jam Blues : Duke Ellington
from Blues in Orbit

7. When You Were Young, Maggie : Tommy Ladnier’s Orchestra w. Sidney Bechet

8. Worried Life Blues : Otis Spann

9. Walkin’ : Art Pepper
from Art Pepper + Eleven

Art Pepper + Eleven

10.  Golden Ratio : Ben Watt
from Hendra


11. We See : Thelonious Monk Trio
from Blue Monk Vol 2

12. No Easy Way Down : Dusty Springfield
from Dusty in Memphis


Music of the Year, 2018


I’ve seen even less live music this past year than previously, something I hope to put right in 2019. But of those performances I have been fortunate enough to see, these are the most memorable.

Ethan’s Last Rent Party at Kings Place. Ethan Iverson, aided and abetted by fellow-pianists Alexander Hawkins and Adam Fairhall, exploring the links between British music in the first decades of the twentieth century and Black American music, syncopation and jazz.


Kairos 4tet at Rich Mix. Saxophonist Adam Waldman, leading a quartet through his own compositions, with Emilia Martensson and Alice Zawadski on vocals.

Amy Rigby at The Betsy Trotwood. A joyous and generous solo performance of Amy’s songs, with readings from her prose and poetry to match. Great evening!


Shostakovich 6th Symphony – LPO / Vladimir Jurowski at the Royal Festival Hall.

Shostakovich 1st Violin Concerto. Nicola Benedetti with the LSO /Gianandrea Noseda at the Barbican.

Shostakovich String Quartet No. 8 & Beethoven String Quartet No. 7. Emerson String Quartet at Milton Court.

And, pre-recorded, but very much a living experience, the Forty Part Motet (Spem in Alium – Tallis) arranged by Janet Cardiff at the Richmond Chapel, Penzance.


Just as Shostakovich tends to dominate the live music selection, so Thelonious Monk [no surprise!] dominates my selection of music on CD. Monk features a live session recorded in Copenhagen in March, 1963 and previously thought lost, and, similarly, Monk: The Lost Recordings, captures a 1967 concert in Rotterdam. Wadada Leo Smith’s Solo: Reflections & Meditations on Monk mixes his solo interpretations on trumpet of five Monk compositions with three of his own.




Tracey Thorn’s Record contains a number of beautifully written and crafted songs ,exploring the life of a  woman not too far distant from, one imagines, herself. And the 14th Volume of the Bob Dylan Bootleg Series, More Blood, More Tracks, presents the original, stripped down versions of the songs from one of his best albums, Blood on the Tracks and encourages you to listen to them afresh.

RecordThe Bootleg Series Vol. 14_ More Blood, More Tracks



iPod Shuffle, November 2017

Out for a brisk and chilly stroll on the Heath this morning, taking a break from scripting the ninth and last Qiu Xiaolong novel, Shanghai Redemption, for producer David Hunter and the Inspector Chen series on BBC Radio 4. This is what my iPod served up …

  • The South Coast of Texas : Guy Clark
  • Pannonica : Thelonious Monk (from Les Liaisons Dangereuse)
  • Help Me : Junior Wells
  • Over the Bars : James P. Johnson
  • California Bloodlines : Dave Alvin
  • Haydn Piano Sonata No. 60 : Glenn Gould
  • Little Girl Blue : Bud Shank
  • West End Blues : Louis Armstrong Hot Five
  • Varese – Déserts – 3rd Electronic Interpolation : Polish National Radio Symphony  Orchestra
  • Blind Willie McTell : Bob Dylan
  • Feeling for the Wall : Meshell Ndegocello
  • West of Rome : Cowboy Junkies

iPod Shuffle, January 2017

So, these tracks are the ones that bounced up into the headphones, accompanying me on my Heathside stroll …

  • Girl From the North Country : Bob Dylan & Johnny Cash
  • Time After Time : Miles Davis
  • Kathy’s Song : Paul Simon
  • Line Up : Lennie Tristano
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  • Standing at the Crossroads : Johnny Shines
  • Carolina Shout: James P. Johnson
  • Four Bothers : Anita O’Day
  • My Creole Belle : Mississippi John Hurt
  • When Will I See You Again : Billy Bragg
  • Winter Lady : Leonard Cohen
  • East 32nd : Lennie Tristano
  • Crazy Man Michael : Fairport Convention
  • Yours and Mine : Billie Holiday
  • She’s Crazy ’bout Her Lovin’ : Mississippi Sheiks
  • Suite Italienne 1 – Larghetto (Stravinsky) : Victoria Mullova & Katia Labeque
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  • Streets of Baltimore : Gram Parsons
  • Then Came the Children : Pail Siebel
  • Juke : Little Walter
  • Wasn’t Born to Follow : Dusty Springfield
  • Wednesday Night Prayer Meeting : Al Fair-weather & Sandy Brown’s All Stars
Katia Labeque & Victoria Mullova in Rehearsal

iPod Shuffle, March 2016

Okay, on this blisteringly cold but sunny morning on Hampstead Heath, this is what my iPod delivered.

  1. I Want You : Bob Dylan from Blonde on Blonde
  2. Do Nothing Till You Hear From Me : Mose Allison from M0se Allison Sings & Plays
  3. You’re Gonna Quit Me : Bob Dylan from Good As I Been to You
  4. Cold Hearts/Closed Minds : Nanci Griffith from Lone Star State of Mind
  5. Hospital Food : Eels from Electro-Shock Blues
  6. I’m Old Fashioned : Ella Fitzgerald from Ella Fitzgerald Sings the Jerome Kern Songbook
  7. Blues for Humph : Humphrey Lyttelton Band with Pat Halcox from Remembering Pat Halcox
  8. Baby Sister Blues : Johnny Shines from Standing at the Crossroads
  9. Dancing Dave : Henry Allen & His Orchestra from Swing Out
  10. Trinkle Tinkle : Thelonious Monk from Thelonious Monk Trio
  11. Reputation : Dusty Springfield from Goin’ Back
  12. Goodbye : Art Pepper from Unreleased Art Vol. III

The first track here is one of a very few I can remember hearing for the very first time – the place and the occasion, if not the precise date. The late 60s it would have been, several years after the album was first released, and I’d driven a minibus full of secondary school students up to London from Andover, where I was teaching, to the Roundhouse to see Nicol Williamson’s Hamlet, with Marianne Faithful as Ophelia. I’d promised the students that we would stop off, briefly, in Carnaby Street on the way home. And when I stepped into one of the then highly fashionable clothing stores they were playing I Want You at full, glorious volume. Why had I never heard it till then?

What else is especially interesting here? The Lyttelton track is a curiosity, Humph being laid low with some ailment or other and unable to make to trip to Prague and Pat Halcox, long time trumpeter with the Chris Barber Band, stepping in. It’s a longish track, recorded live, and, in addition to Halcox’s strong lead, features Malcolm Everson on baritone sax.

Johnny Shines has been one of my favourite blues singers ever since hearing the recordings he made for J.O.B. in 1953, his voice strongly reminiscent of Howling Wolf, his bottleneck guitar playing recalling his other main influence, Robert Johnson. After these recordings, he more or less gave up music, working in construction until, like many others, he was rediscovered in the blues revival of the mid-sixties, and began recording again, this time in a more contemporary Chicago style, working with musicians like Otis Spann and Big Walter Horton. This particular track comes from 1970 and finds him returning to the solo acoustic rural blues style of his earlier days.

And then, of course, there’s Dusty … sitting, perhaps incongruously, next to Art Pepper –but perhaps not. Two artists, two of many, whose particular demons laid them low too often, too soon.

iPod Shuffle, October 2015

  • Love Minus Zero/No Limit, Bob Dylan : The Rolling Thunder Revue (1975)
  • Sabu Visits the Twin Cities Alone, John Prine : Great Days
  • Hey, That’s No Way To Say Goodbye, Leonard Cohen : The Songs of Leonard Cohen
  • Doggin’ Around, Alex Welsh Band : Oh, Baby!
  • Useless Desires, Patty Griffin : Impossible Dream
  • Tecumseh Valley, Townes Van Zandt : Live at Union Chapel (1994)
  • Jumpin’ at the Woodside, Count Basie Orchestra : The Jubilee Alternatives (1944)
  • Etta’s Tune, Rosanne Cash : The River & The Thread
  • It Don’t Mean a Thing If It Ain’t Got That Swing, Stan Tracey : Solo/Trio
  • All the Brave Horses, John Stewart : Lonesome Picker Rides Again

For some reason I’d never really listened to the Rolling Thunder CD, put off in part by all those images of Dylan in white clown make up, partly by the various bits and pieces I’d read about it, most of which seemed keen to talk about it as a succession of “happenings” rather than concentrate on the music. So, when I pulled it down from the shelf not so long ago, I was pleasantly surprised by the contents, in particular a reggae-influenced It Ain’t Me, Babe and this nice breathy, almost intimate and uncluttered version of Love Minus Zero/No Limit, long one of my favourites of Dylan’s songs.


I can readily remember hearing John Prine’s sad and affectionate tribute to the Indian/American actor, Sabu Dastagir. It was a Saturday morning in 1978 (0r could it have been 1979? or even 77?) and I was travelling down to a Film Studies Day on Melodrama at the University of Leicester (or it could have been Loughborough, the exact location isn’t important). What is definite is that the car was being driven by Professor Charles Gregory, who was spending a year on a lecturing exchange in the American Studies department at the University of Nottingham, where I was studying for an MA.

Greg and I had bonded early on over a number of shared interests, cinematic, literary and musical – more specifically, film noir, hard-boiled crime fiction and what would now be called Americana – country music, folk and blues. I’m not sure what he had been expecting in the UK, musically – not a rigid diet of Englebert Humperdink, George Formby and Gracie Fields, as he was knowledgeable fan of Richard Thompson, John Renbourn, Pentangle and Fairport Convention – but in order to keep in touch with home, and, as he put it, keep himself sane, he had brought with him a cassette of cherished songs, not all of which I remember, though there was certainly Kris Kristofferson singing Sunday Morning Coming Down, Janis Joplin’s Me and Bobby McGhee, some John Stewart, some Rosalie Sorrels, Jimmy Buffett’s He Went To Paris, Dave Bomberg’s version of Mister Bojangles and the aforementioned John Prine. I learned a great deal from Greg on all sorts of front and in all sorts of ways, not least how to belly up to the bar drinking shots of bourbon with water backs and not fall over – at least not till I got up. He was a good friend who died too early and whenever I hear any of those songs just mentioned he comes to mind.

The In Memory Archives of California State University, Sacramento, where Greg taught, begins thus …

Charles T. Gregory, Professor Emeritus of English at California State University, Sacramento, the originator of the campus’s Film Studies Program, a strong supporter of student rights, a campus leader in the student protest movement of the late 1960’s and 1970’s, and a highly regarded specialist in twentieth-century British and American literature, died October 10. He was 70.

and continues later …

Though Professor Gregory was well known for his frank and sometimes blunt criticism during discussions of English Department and campus-wide issues, he was soft-spoken and renowned for his dry wit and keen intelligence. He was much admired by both students and faculty for his courage and honesty.

When asked for a final comment about Professor Gregory, Nelson (Professor Emeritus Charles E. Nelson, friend and colleague) said, I think what Hamlet said about his late father very effectively describes what Greg meant to his family, colleagues and friends: ‘He was a man. Take him for all in all, I shall not look upon his like again.”’

You can read the whole piece here, just scroll down …


And thinking of people who died too early there’s Sabu himself, of course. His first film appearance, at the age of 13, was  as The Elephant Boy of the title in Robert Flaherty’s 1937 movie, after which, most notably, he was Abu in The Thief of Bagdad and Mowgli in The Jungle Book.  During WW2, he flew on B52 bombers as a tail gunner and ball turret gunner and was awarded a Distinguished Flying Cross for his bravery. After the war, however, his career stumbled and his last significant role was in Michael Powell’s Black Narcissus in 1947. In 1952, mirroring the events in Prine’s song, he went on tour with an elephant act as Sabu, the Elephant Boy, appearing in this country as part of Harringay Circus. Largely forgotten, he died from a heart attack in 1963 at the age of only 39.


All of which doesn’t leave a lot of space to write about the other tracks shuffled up here. I should mention that the Alex Welsh Doggin’ Around is not the better known one from the 1973 album of the same name, with Roy Williams on trombone and Johnny Barnes on reeds, but comes from a 1981 BBC Sounds of Jazz broadcast which has Roy Crimmins back in the band on trombone and – featured heavily here – the excellent and under-rated Al Gay on tenor sax.


The Townes Van Zandt was recorded live at the Union Chapel in Islington, a concert I happily attended. More happily, certainly, than Townes’ final UK gig at the Borderline, in which he was in too poor a condition to perform in anything but a most perfunctory manner, and, after a lot of brave attempts, finally in no condition to perform at all.


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Writers & writing: books, movies, art & music - the bits & pieces of a (retiring) writer's life


Writers & writing: books, movies, art & music - the bits & pieces of a (retiring) writer's life