DARKNESS, DARKNESS
Act 2, Scene 15CREMATORIUM. FADE DOWN ORGAN MUSIC AS RESNICK WALKS AWAY FROM THE CHAPEL INTO THE GARDEN, CATHERINE, PATCH OVER ONE EYE, COMING TO JOIN HIM.
CATHERINE: God, Charlie! I hate funerals. Hate them more and more.
RESNICK: You’ll come to mine, all the same?
CATHERINE: You, Charlie? You’ll be here forever.
RESNICK: I doubt that.
THEY WALK ON.
I don’t know about forever, but the old boy does keeping popping up, this week especially.
First there was the realisation [they never let you know in advance!] that my three-part dramatisation for radio of the third Resnick novel, Cutting Edge, was being repeated on BBC Radio 4 Extra.
Originally broadcast on Radio 4 in 1996, Cutting Edge features Tom Georgeson as Resnick. Tom Wilkinson had played him on radio the preceding year, in my adaptation of Wasted Years, which, like Cutting Edge and, in fact, all of the radio Resnicks, was produced and directed by David Hunter. In doing so, Wilkinson, of course, was reprising the role he’d earlier played on television, in the versions of the first two novels in the series, Lonely Hearts and Rough Treatment, both produced by Colin Rogers for Deco Films & Television and the BBC.
Come the time to record Cutting Edge, he was otherwise engaged, so Georgeson, who had appeared on the other side of the law as a burglar in Rough Treatment, stepped into the Inspector’s shoes, bringing the residue of a Scouse lilt with him as he did so.
Resnick’s most recent incarnation, in the stage version of Darkness, Darkness directed by Jack McNamara for Nottingham Playhouse and New Perspectives, saw him being tellingly brought to life by David Fleeshman.
Now, Claudia Ferlisi of New Perspectives has assembled an absorbing “storify”, in which the history of the production is traced through a selection of photographs, video, blog extracts, tweets and so on. You can – and should – look at it here …
Delving further back, Colin Rogers alerted me to a review on the Letterboxd site of the 1992 television adaptation of Lonely Hearts, starring, as has been said, Tom Wilkinson, and directed by Bruce MacDonald. Quite why the review, by Mark C., has appeared now, when no official DVD of the programme is available, I’m not sure. A DVD was advertised as forthcoming on Amazon.com some time ago, but since then there has been no news as to when – indeed, if – it might actually become available. What’s holding things up, I have no idea. Nor do I know which copy Mark is reviewing … but what he has to say, is, I thought, really interesting. Here’s a sample …
It helps of course that the author himself, John Harvey, adapted the novels for TV. But crucially the director of Lonely Hearts, Bruce MacDonald, understands the material beautifully and gives us something unique that still stands out as a distinctive piece of drama some twenty-four years later. Crucially MacDonald’s style, combined with his knowledge and understanding of Harvey occasionally somewhat fragmentary writing style, works in close harmony to deliver an deeply atmospheric piece. Like the jazz beloved of our central character, Harvey’s writing often strays from the narrative through line to provide quirky and unusual flourishes or glimpses of other themes. This is best exemplified in the way that we see the team at Nottingham CID (which includes a youngish David Neilsen before he headed to the cobbles of Coronation Street, looking rather different with short hair and a military moustache, and actor/writer William Ivory as a scene-stealing leery, neanderthal cop who despite his blunt methods gets the job done in a way we cannot help but admire) involve themselves in other secondary cases or how we catch references to their home lives. All of these instances help lend a sense of multi-dimensionality and authenticity to the proceedings.
You can read the review in its entirety here …
Some Days You Do ... 