The reading year for me began more or less as the last one ended, re-reading my way through Virginia Woolf – soon to be joined, looking for a little balance perhaps – or is that ballast? – by Don DeLillo. By midway, I was convinced of the excellence of Libra and the brilliant assurance of Underworld‘s first 270 odd pages; pleased to (re)discover that Mrs. Dalloway, To The Lighthouse and The Waves are every bit as good – as groundbreaking – as I thought when I read them previously and to hope that if I’m still around and compos mentis in another five year or so’s time I’ll enjoy reading them again.
I hadn’t heard of Maggie Nelson before this year. Since when I’ve read The Red Parts: Autobiography of a Trial, in which she follows and comments upon the trial of the man accused of sexually assaulting and murdering her aunt; Bluets, comprising 240 paragraphs containing her thoughts and memories devolving from the colour blue; The Argonauts, part-memoir, part-intellectual disquisition on the linked subjects of pregnancy, mothering, gender and sexual identity; and – still not finished – Women, The New York School and Other True Abstractions, which does more or less what it says on the tin. Of these, The Red Parts, while being in no sense an easy read, is the easiest to read and The Argonauts, though hard work in places, is the most distinctive and the most rewarding.
Anyone who reads this blog with any regularity will know how impressed I was by Claire-Louise Bennett’s collection of (mostly) linked short stories The Pond. As I said before …
I’m tempted to say Bennett’s method in these stories and, to a lesser extent, the style, remind me of Virginia Woolf (or Katherine Mansfield?) filtered through a contemporary sensibility, the internal thought – contradiction on contradiction – held steady by a precise description of the everyday that is so detailed and yet, somehow, shifting, that it verges on the surreal.
Along with The Argonauts, The Pond is my book of the year. But there were other good things, too. A Manual for Cleaning Women, a nice fat collection of short stories by Lucia Berlin, contains a good few of them. James Sallis’ short novel, Willnot (he doesn’t do big novels, not Jim) is a perfectly pitched story of small town American life that somehow doesn’t seem to owe much to anyone else, save Jim himself. Louise Doughty’s Apple Tree Yard (soon to be on your TV screens) is an expertly and tightly-wound story of sexual attraction and betrayal that dares you to set it aside and wins hands down. Otherwise, I’ve read and really enjoyed Elizabeth Strout’s Olive Kitteridge, three of Anne Enright’s novels set in Ireland – The Green Road, Yesterday’s Weather and The Forgotten Waltz – and happy submitted to the charms and excitements of Mick Herron’s series about the Slow Horses, a bunch of only oddball and occasionally competent spies put dangerously out to pasture.
And, right now, thanks to Bromley House Library, I’m about half way through Emma Cline’s The Girls, which is pretty compulsive reading and could turn out to be almost as good as many people say it is.