Music of the Year, 2018

LIVE …

I’ve seen even less live music this past year than previously, something I hope to put right in 2019. But of those performances I have been fortunate enough to see, these are the most memorable.

Ethan’s Last Rent Party at Kings Place. Ethan Iverson, aided and abetted by fellow-pianists Alexander Hawkins and Adam Fairhall, exploring the links between British music in the first decades of the twentieth century and Black American music, syncopation and jazz.

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Kairos 4tet at Rich Mix. Saxophonist Adam Waldman, leading a quartet through his own compositions, with Emilia Martensson and Alice Zawadski on vocals.

Amy Rigby at The Betsy Trotwood. A joyous and generous solo performance of Amy’s songs, with readings from her prose and poetry to match. Great evening!

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Shostakovich 6th Symphony – LPO / Vladimir Jurowski at the Royal Festival Hall.

Shostakovich 1st Violin Concerto. Nicola Benedetti with the LSO /Gianandrea Noseda at the Barbican.

Shostakovich String Quartet No. 8 & Beethoven String Quartet No. 7. Emerson String Quartet at Milton Court.

And, pre-recorded, but very much a living experience, the Forty Part Motet (Spem in Alium – Tallis) arranged by Janet Cardiff at the Richmond Chapel, Penzance.

RECORDED …

Just as Shostakovich tends to dominate the live music selection, so Thelonious Monk [no surprise!] dominates my selection of music on CD. Monk features a live session recorded in Copenhagen in March, 1963 and previously thought lost, and, similarly, Monk: The Lost Recordings, captures a 1967 concert in Rotterdam. Wadada Leo Smith’s Solo: Reflections & Meditations on Monk mixes his solo interpretations on trumpet of five Monk compositions with three of his own.

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Monk

Smith

Tracey Thorn’s Record contains a number of beautifully written and crafted songs ,exploring the life of a  woman not too far distant from, one imagines, herself. And the 14th Volume of the Bob Dylan Bootleg Series, More Blood, More Tracks, presents the original, stripped down versions of the songs from one of his best albums, Blood on the Tracks and encourages you to listen to them afresh.

RecordThe Bootleg Series Vol. 14_ More Blood, More Tracks

 

 

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Music 2016

Another symptom of ageing – mine – is that I get to see less live jazz year on year. The fact that I went to Dalston’s Café Oto, home of the avant garde and free, to see the American trumpeter Wadada Leo Smith was  down to Jack McNamara, director of the stage version of Darkness, Darkness, whose bag – as they used to say – this is. And was I glad that I took his advice and joined him there. Smith played with a terrific sense of continuity throughout, his style and tone managing to sound contemporary whilst referencing the mainstream jazz trumpet tradition from Miles Davis back to Louis Armstrong. And the supporting band, with the amazing Steve Noble on drums, were just great too. Thanks, Jack!

mi0003745895Otherwise, the musical highlight of the year for me was listening to the Philharmonia Orchestra, conducted with quiet intensity by Juraj Valcuha, playing Shostakovich’s 8th Symphony. Astonishing.

What else? The LPO under Osmo Vanska playing the entire cycle of Sibelius symphonies over four nights at the Royal Festival Hall; Billy Bragg and Joe Henry bringing their songs of the American railroad to a crowded Union Chapel on US election night; and a joyous evening at Rich Mix in Shoreditch listening to the Fitkin Band doing their minimalism-jazz-70s disco thing, and featuring, in their second set, a new set of songs under the heading Don’t Take This the Wrong Way, featuring Melanie Pappenheim on lead vocals and counter-tenors Fergal Mostyn Williams and Tom Scott-Cowell brilliantly and so happily singing back-up. (You had to be there!)

Performance of the year : Patti Smith singing Hard Rain’s A-Gonna Fall at the Nobel Prize Awards Ceremony.

Song of the year: Joe Henry’s Our Song

This was my country
This was my song
Somewhere in the middle there
It started badly and it’s ending wrong

This was my country
This frightful and this angry land
But it’s my right if the worst of it might
Still somehow make me a better man

Album of the year – for, sadly, all too obvious reasons: You Want it Darker by Leonard Cohen

I wish there was a treaty we could sign
I do not care who takes this bloody hill
I’m angry and I’m tired all the time
And I wish there was a treaty, I wish there was a treaty
Between your love and mine

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